Saturday, June 14, 2014

Everyone has heard those fables and legends from the formative years of all civilizations which ascribe to music powers far greater than those of any mere art: the capacity to control men and nations. These accounts make of music a kind of secret regent, or a lawbook for men and their governments, From the most ancient days of China to the myths of the Greeks we find the concept of an ideal, heavenly life for men under the hegemony of music.
Hermann Hesse, The Glass Bead Game (1943), R. and C. Winston, trans. (1969), p. 17
Now that music, in keeping with the ideals of democracy, is under control of the marketplace, and seeks to entertain rather than to educate, to be ruled rather than to rule, it has, like all the arts that once claimed aristocratic status for themselves, forsaken its role as leader of men and nations and adopted a meek, subservient role. Now, instead of men leading a heavenly life under the hegemony of beautiful music, music leads a stunted, crippled existence under the hegemony of men.

No comments:

Post a Comment